Lois Lowry
My mother read The
Yearling aloud to me when I was eight. I have always
thought of that time - those nights when she read, seated
in the hall outside the bedrooms, my sister listening
from her room and me from mine - our rooms were dark,
and the light was on Mother, and her voice was clear
and expressive; she was a good reader - I have thought
of that as a pivotal time in my literature life.
Reading for me, until then, had been The Bobbsey
Twins, Mary Poppins, Alice in Wonderland, Winnie the
Pooh, and Nancy Drew: a combination of classics
and schlock, and I loved it all. But it was separate
from me. It was not real. They were stories, and they
held my interest and made me laugh now and then - but
they were never real.
But now - in the 1940's, with my own father far away
on an island in the Pacific (the sme island, though
we did not know it then, where the atomic bomb would
soon be loaded onto a plane), my mother sat quietly
in that hallway and read of the boy named Jody whose
father, bitten by a rattlesnake, is struggling to live.
"He pressed his face into hanging covers and cried
bitterly," my mother read of Jody (and I, listening,
pressed my own face into my pillow in anguish for Jody).
"He was torn with hate for all death and pity for
all aloneness," she read.
It was the book, The Yearling, and its effect
on me, that directed my reading from then on. After
I had met Jody Baxter, I didn't want to hang out with
Nan and Bert Bobbsey ever again. I don't worry today
about children addicted to Goosebumps. I was addicted
to Bobbseys. But only until the right book - the book
that felt real - came along.
You eat canned tuna fish and you absorb protein. Then,
if you're lucky, someone give you Dover Sole and you
experience nourishment. It's the same with books.
Lois Lowry
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